Italian Mannerist Painter, 1557-1622 Son of Jacopo Bassano. He entered the workshop of his father when very young and soon developed a style of painting strongly based on drawing. Leandro used fine brushwork, with cool, light colours, smoothly applied in well-defined areas, unlike his father, who painted with dense and robust brushstrokes. From 1575 Leandro's participation in the workshop increased, and he became his father's principal assistant after Francesco Bassano il giovane moved to Venice in 1578.   Related Paintings of BASSANO, Leandro :. | Allegory of the months the May | Portrait of an Old Man kky | Moses Striking the Rock dsd | Penelope | Penelope |
Related Artists:
Meindert Hobbema
1638-1709 Dutch Meindert Hobbema Galleries In the exercise of his craft Hobbema was patient beyond all conception. It is doubtful whether any one ever so completely mastered as he did the still life of woods and hedges, or mills and pools. Nor can we believe that he obtained this mastery otherwise than by constantly dwelling in the same neighbourhood, say in Guelders or on the Dutch Westphalian border, where day after day he might study the branching and foliage of trees and underwood embowering cottages and mills, under every variety of light, in every shade of transparency, in all changes produced by the seasons. Though his landscapes are severely and moderately toned, generally in an olive key, and often attuned to a puritanical grey or russet, they surprise us, not only by the variety of their leafage, but by the finish of their detail as well as the boldness of their touch. With astonishing subtlety light is shown penetrating cloud, and illuminating, sometimes transiently, sometimes steadily, different portions of the ground, shining through leaves upon other leaves, and multiplying in an endless way the transparency of the picture. If the chance be given him he mirrors all these things in the still pool near a cottage, the reaches of a sluggish river, or the swirl of the stream that feeds a busy mill. The same spot will furnish him with several pictures. One mill gives him repeated opportunities of charming our eye; and this wonderful artist, who is only second to Ruisdael because he had not Ruisdael's versatility and did not extend his study equally to downs and rocky eminences, or torrents and estuaries - this is the man who lived penuriously, died poor, and left no trace in the artistic annals of his country. It has been said that Hobbema did not paint his own figures, but transferred that duty to Adriaen van de Velde, Lingelbach, Barendt Gael, and Abraham Storck. As to this much is conjecture.
Paye, Richard Morton
English, 1750-1821
Ion Andreescu
n. 15 februarie 1850, Bucuresti . 22 octombrie 1882, Bucuresti He was born in Bucharest into a merchant family. In 1869 he entered Theodor Aman Fine Arts School. By 1872 he was an instructor of drawing and calligraphy at the Bishop School in Buzau. In 1873 he left the Bishop School for the Tudor Vladimirescu Communal Secondary School, also in Buzau. Then, in 1875 he left the Communal Secondary School for Buzau Craftsmanship School. Influenced by Nicolae Grigorescu, he left Romania for Paris to further his education. In Paris, he began painting at Barbizon. His work was exhibited with the works of better known painters such as Manet, Monet and Renoir. In 1881 he returned to Romania, ill with tuberculosis. His death followed shortly in 1882.